Companion of the Setting Sun
“XOCHIMILCO IS THE LUNG OF MEXICO CITY, WITHOUT CULTIVATORS THERE IS NO LIFE” - Doña Susana
Project type: Nonfiction Short
Project status: Production
Director: Isabela Zawistowska
Producer: Chamberlain Staub
Executive Producers: Dalia Burde, Amani King
Email: isabela.zawist@gmail.com
Website: isabelazawistowska.com
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Logline
Companion of the Setting Sun, is a short hyperrealist documentary that explores the transformation of lake Xochimilco and survival of the Axolotl population. We are immersed into the daily lives of the chinamperos, examining the difficulties of maintaining their wetland farms while co-existing with the last remaining wild Axolotls.
Synopsis
THE WILD AXOLOTL IS AN INDICATOR SPECIES FOR XOCHIMILCO.
This film focuses on the plight of the Chinamperos in relation to the water crisis. The lack of water and increased pollution is threatening their livelihood along with endangering the survival of the native axolotl. Our lead character, 84-year-old Doña Susana represents the last of her Chinampera generation. The ancestral knowledge she was raised on is being lost. She finds sadness in this reality, reflecting on a time when the canals were abundant with flowers and she could still source water from natural aquifers to feed her gardens. Despite the devastation she’s witnessed, she still has a glimmer of hope that this way of life, and the wild axolotl, can be saved.
NARRATIVE THREAD:
“The axolotl is a representation of who Mexicans are, he was a deity trying not to be sacrificed and so he hid in many different forms before he took the form of an animal that never grows old (the axolotl).The myth is that when the wild axolotls are gone, humanity is gone.” – Sara Sandoval
Axolotl’s story of transformation serves as a through line for the film. We express the following aspects of his transformation through four main pillars: trauma, transformation, resilience, and rebirth.
The Axolotl journey mirrors the evolution of Xochimilco and the Chinampas. Like the Axolotl, Xochimilco and the whole Valley of Mexico have gone through significant transformation (i.e. being completely dried out due to mismanagement of land, drought, pesticide use, greed & corruption, etc.) But we find that there is always a pathway to renewal from destruction. The axolotl’s unique ability to regenerate symbolizes the idea that even the most vital parts of ourselves can be healed and transformed over time with care.
Meet the Filmmakers
Isabela Zawistowska — Director
Isabela Zawistowska is a Mexican-Canadian-American Director and Cinematographer with a passion for telling human-driven stories. As an avid rock climber and mountain woman, she’s particularly passionate about stories related to our connection with the natural world. She has Camera Operated on several HBO and Netflix docuseries with the producers of the Tiger King and Chimp Crazy. She has also worked independently as a Director and DP with global brands such as The North Face, SIGMA, Sonos, Cotopaxi, CalTrout, the Honnold Foundation, Chaco Footwear, and Re:Wild.
Chamberlain Staub — Producer
Chamberlain Staub is a Documentary filmmaker who started her career working for the Nonprofit Narrative Arts, using film as a platform to tell community stories.
Her work touches on social issues and strives for honest expression through the careful exploration of diverse topics. Chamberlain’s work on Emmy-Winning series such as Chef’s Table and Live To 100: Secrets Of The Blue Zones showcases her sensibilities for compelling visual storytelling.
Rosa Hadit — Cinematographer
Rosa Hadit is a Mexican director of photography who graduated from Centro’s Film and Television program and from workshops at international schools such as EICTV. Her career began in major films and series as a still photographer and camera operator for platforms such as Netflix, Amazon, Apple and HBO, where she set foot on sets alongside great masters of cinema who have been an inspiration to her.
She is a member of Apertura, a Mexican community of female directors of photography. Her work has been exhibited at the Havana Biennial, and at film festivals such as FICM, Short Shorts, New Hope Film Fest, the Los Cabos Film Festival and the Havana Film Festival.
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Contact
For inquiries, please contact fiscalsponsorship@filmindependent.org.